David's First Gay Sexual Experience, at a Gas Station in Arkansas

Of all the hundreds of coming out stories I've heard, the one told by my friend David in San Francisco is the most remarkable.  A conservative Baptist minister in small-town Arkansas, married with children, figuring it out on his 43rd birthday, with not a hint before!

Fort Smith, Arkansas

Dave was born on January 6th, 1953 (Three Kings' Day) in Memphis, Tennessee.  When he was five years old, his family moved to Fort Smith, Arkansas.  He had an idyllic childhood, swimming in Creekmore Park, buying comic books at Coleman Drugs, having sleepovers with his friends from Sunnymead Elementary School..

"Sleepovers?  Lots of opportunities for seeing guys in their underwear, cuddling with them, maybe some groping?"

"Not that I remember."

In high school he started dating girls, but prided himself on treating them "like a gentleman," rejecting even a good-night kiss.  He often double-dated with his best friend, Steve.

"I'll bet you couldn't wait to drop the girls off so you and Steve could..."

"Not that I remember."

Fayetteville

At the University of Arkansas in Fayetteville from 1971 to 1975, Dave majored in Classical Studies and became competent in Latin, Greek, and German.  He first became aware of same-sex desire when he translated Virgil's Eclogue 2:

Corydon the Shepherd was in love with beautiful Alexis.

How could Corydon be in love with Alexis, when they were both boys?

The professor explained that the ancient Romans sometimes practiced "the unnatural vice."

"A little frisson of recognition?"  I ask. 


"Nope.  I don't remember feeling any strong emotion about it.  It was just something weird that the ancients did."

In college he kissed a girl for the first time.  It was ok, but he didn't see what all the fuss was about.

New Orleans

From 1975 to 1977, Dave studied for his M.A. in Latin at Tulane University in New Orleans.  His master's thesis was on Ovid's Metamorphoses.

"Lots of same-sex practices in there!" I exclaim.  

"Sure, I read about Zeus and Ganymede, and Hyacinth and Apollo.  But it was all way-out, exotic stuff, with no connection to my world at all.  

"Well...what about New Orleans?  The French Quarter, one of the hottest gay neighborhoods?"

Sometimes he and his friends went to the French Quarter to gawk at the  "fairies,"  They were all outrageously feminine, swishy, drag queens, with no connection to his world at all.

Louisville

David thought about going on to a doctorate in Classics, but worried about the job prospects.  Instead he spent 1977-1980 at the Southern Baptist Theological Seminary in Louisville, getting his M.Div. His research project was on the interpretation of the Koine Greek of the New Testament.

"What did you think about the so-called homophobic passages in Romans and Colossians?"

"I don't remember thinking anything at all," David says.  "I took all of my examples from the Gospels."

In order to get a church, you needed a wife, so Dave got engaged to Karen, a girl from a local church.  They waited until their wedding night to have sex.  It was ok, not disgusting or anything, just sort of mechanical.

"Did you fantasize about guys while having sex with your wife?" 

"To be honest, I didn't fantasize at all.  My body did all the work.  I was planning out my next sermon, or wondering what we were having for dinner tomorrow night."

Conway, Arkansas

In 1980, Dave and Karen moved to a church in Poplar Bluff, Missouri, and in 1983, to a much bigger church in Conway, Arkansas.  Karen got a job as a high school English teacher, but quit when she became pregnant.

The 1980s was a period of rampant homophobia, but Dave didn't berate gay people in any of his sermons.  In fact, he started the first AIDS buddy program in Arkansas.

The first gay man Dave met was a guy whose partner of ten years was dying of AIDS.  He couldn't figure out why God would punish them for falling in love.

"So, realizing that gay people aren't monsters -- that helped you come out?"

"No, but it put me at odds with my congregation in my fellowship.  I was criticized as too liberal, as not really a Christian.  Someone wrote 'fag lover' on my office door."


Fayetteville

In 1990, Dave and Karen moved to a church in Fayetteville, near the University of Arkansas.  It was slightly more liberal, with many more cultural activities.  They started going to concerts and the theater, including The Nutcracker every Christmas.

Dave found himself noticing the bulges and butts of the hot ballet dancers.

"Men are beautiful!  Why didn't I ever realize that before?"

When he turned 40, worried about his health in midlife, he joined a gym, and started doing cardio and weight training.  He looked at the other guys, stripping down in the locker room....

He wanted to touch them, to kiss them, to feel their butts and cocks against him.  Sometimes he became aroused just thinking about it.

His fundamentalist roots kicked in. Could hanging around with gay men be "turning him" gay?

"You can't turn gay.  You are or you aren't."

"That's what my friend at the AIDS Foundation said.  He told me that straight guys sometimes find themselves attracted to men.  It doesn't mean anything.  It's who you love that counts."

And he loved Karen.  He liked hanging out with her, discussing old movies, playing with the kids. He didn't even mind the sex.  It was warm and comfortable, like sleeping under a quilt on a cold day.

January 6th, 1996 was Dave's 43rd birthday, a Saturday.  He and his family celebrated with brunch (his favorite meal) at the Cracker Barrel.  They gave him presents.

He spent the afternoon in his study, working on his sermon for the next day, "New Beginnings."  It was going to start with the story of Saul on the road to Damascus, who had a transforming vision of Jesus Christ and became Paul.

At 3:00 pm he drove to Planet Fitness to work out.  On the way he stopped at the Shell Station to get gas and a Gatorade.

The most beautiful guy in the world was sitting behind the counter.  In his twenties, with thick, almost shaggy black hair, a scruffy beard, deep soulful eyes, and a bewitching half-smile.  He was wearing a red t-shirt that accented his slim, tight physique.  His name tag read "Shawn."

Dave stared open-mouthed.  Shawn smiled.

"Will that be all?" he asked, pointing to Dave's Gatorade.  He didn't have a Southern accent.

"Um...um...today's my birthday," he stammered.  "I'm 43."

In retrospect, not the best pick-up line.

"Well, happy birthday!  I'll have to give you a present.  What would you like?"

"I'd like to kiss you," Dave admitted.

This wasn't a gay neighborhood.  It was redneck, homophobic, Bible-belt Arkansas.  But Shawn said "Sure."  They went into the restroom and locked the door, and Shawn wrapped his arms around Dave, and they kissed.  It was a long, deep, eager kiss.  Their bodies and cocks pressed together.  Shawn lifted Dave's shirt to feel his chest, unzipped his pants to work on his very hard Kielbasa.

"What about Shawn's penis?" I ask.

"Nice.  But it was mostly about the kiss."


It took only a few minutes for Dave to spurt into Shawn's hand.  He washed off in the sink and said "Well, I better get back to work."

Dave caught his arm.  "Can I see you later?"

Shawn smiled.  "Sure thing, babe.  I get off at 7:00.  But I didn't get your name."

"It's David."

"I was Dave for 43 years.  I don't know why I said David.   Except that Shell Station was my Damascus Road."

See also: David's Top 20 Hookups and One-Night Stands; a Glimpse of Supreme Beauty at a Rest Stop in Iowa.

Grandpa Prater's Banjo

This is the second erotic story about my Grandpa Prater.

It's the day after Christmas in seventh grade;  I just turned 12.  We're visiting my parents' relatives in Indiana.  Today we drive out to the farmhouse near Garrett to visit my Grandpa Prater, my mother's father, and bring him his Christmas presents.

Grandpa Prater is 70 years old, but still big and rugged, with thick arms and shoulders and huge hands. He wears overalls, sometimes with a white t-shirt underneath, sometimes without, so you could see his hard round pecs dusted with white hair.

He moved from Kentucky to Indiana with his family in 1942, to take advantage of factory jobs during World War II.  Now he is widowed, and all of his kids have moved out except Uncle Edd, who acts more like his brother than his son.

There's no car in the driveway, and no one answers when we knock, so we figure that they're out, at the store or visiting friends in town.  We drive down the road about half a mile to the Trailer in the Deep Woods, to visit my Cousin Buster and his parents and wait for them to return.

Cousin Buster shows me the guitar he got for Christmas, and tries to play "Your Mama Don't Dance," by Loggins and Messina.  He doesn't do well.  "I should have asked for a banjo," he says. "Man, I could really howl on that box." 

"Why don't you ask Grandpa if you can borrow his?"

Somehow we decide that it would be a good idea to sneak into the farmhouse while he's gone and "borrow" the banjo.  

We walk through the woods until we come to the side yard.  There's still no car in the driveway.

We climb onto the porch and go in through the parlor (country folk don't lock their doors).

I've been there a thousand times, but never when the house is deserted.  There's something eerie, even sinister, about the two overstuffed sofas, red with clawed legs, the old console radio with a black-and-white tv on top, the picture of Jesus on the Cross that changes to an Ascended Christ if you look at it right.  

The kitchen is familiar, too.  I've been there many times.  But there's something sinister about the plate of half-eaten toast and jar of Sue Bee Honey left on the kitchen table, as if someone suddenly rushed out.  Or was kidnapped.

I've never been inside Grandpa Prater's bedroom.  

First there's an anteroom, with some coats on hooks and shoes on the floor.  Then a big oak door.

More after the break

A Naked Man for Christmas

Dan in college

When I was a kid in Rock Island, Illinois, we had a number of local celebrities, like jazz musician Bix Beiderbecke, poet Carl Sandburg, and sculptor Isabel Bloom.

Born Isabel Scherer in 1908, she grew up in Davenport and studied at Grant Wood's Stone City Art Colony, where she met and married fellow artist John Bloom.  In the 1950s, she began producing distinctive sculptures carved out of Mississippi River stone or molded of mud mixed with concrete.  

They were absolutely atrocious. Angels, fairies, hugging children, mothers hugging babies, cats, doves, bridal couples, snowmen, Santa Clauses, the most maudlin, sentimental, and heteronormative dreck ever imagined.

But everyone in the Quad Cities loved them.  There were at least two or three in every living room; dozens more were forced upon out-of-town relatives as Christmas presents, or shoved into the hands of unsuspecting visitors as Quad Cities souvenirs.

So I should have anticipated what would happen.

I had just discovered Greek art -- rather, statues of muscular Greek gods, so for Christmas in 1974, when I was in 9th grade, I asked for "a statue."  

I meant a desk-sized statue of a naked Apollo from Greek mythology, but instead my Dad said, "Sure -- let's go down to Isabel Bloom's, and you can pick out the one you want."

I couldn't tell him "No, no...I wanted a naked Greek god, not some stupid boy holding a frog!", so Dan and I had to fake-grin our way through a mid-December visit to the crowded studio in the Village of West Davenport, as we sorted through Angel with Wreath, Unconditional Love, Lovebirds, Boy with Flag...

Eventually Dan wandered off, but my torture continued: Girl with Pumpkin, Newlyweds, Boy Offering Girl Flowers, Baby in Crib, Sleeping Cat...  

Then Dan came running excitedly from a side studio.  "Hey, what about this one?"  It was a nude male figure, seated, his arms around his knees.   Stylized, not muscular, but a heck of a lot better than the other stuff.

John's Thinker,  he read from the bottom. 

"Must be a statue of her husband," I said, carefully taking it from his hands.  It felt warm to the touch.  It was thrilling to think that I might be holding an exact likeness of a real naked man.

John and Isabel Bloom

"No, she didn't do this statue, her husband did," Dad said, frowning.  "It's not a real Isabel Bloom."

"Well, I want it anyway."

He looked at me oddly.  "There's lots nicer ones.  How about First Kiss?"  He held out a statue of a little boy kissing an embarrassed little girl on the cheek.

"I don't want any statues of girls."

"It's a boy and a girl.  That's like two statues for the price of one!"

Was he objecting to the price of John's Thinker?  No, First Kiss cost twice as much.  "This one's cheaper."  

"But..you could use it as a kind of model, you know.  When you want a girl to let you kiss her, just show her the statue."

"Gross!" Dan exclaimed.

"When you discover girls, I mean."

"John's Thinker, please," I said firmly.

Dad shrugged.  "Well, if you're sure that's the one you want.  But I don't know what you're going to do with it, Skeezix."  Later I figured out that he always called me Skeezix, after a character in the old Gasoline Alley comic strip, when I expressed same-sex desire, something bizarre and beyond imagining at the time.

I still have the statue.

Recently I did some research into the work of John Bloom.  He was apparently heterosexual, married to Isabel from 1938 until his death in 2002 (but then, he lived for several years in a converted ice truck with the gay artist Grant Wood).

His paintings and drawings return again and again to images of male friendship and camaraderie. 

There aren't many male nudes, but one was enough on that long-ago winter day.